LATEST ADDITIONS

Do you know what Roon is? Do you think you need to know? Should you even care? When hi-fi manufacturers launch a new amplifier or loudspeaker, the question immediately turns to its styling, specification and indeed performance. Rarely – if ever – does one ever end up asking: “Why do I need it?”, or “How will owning such a thing make my life better?” The problem for Roon founder Enno Vandermeer is that his product needs a whole lot of explanation before people can take a view about whether they actually want it. “We created an experience that people were missing. The only trouble is, they didn’t know it!”, he says.

Network audio has become a big part of our hi-fi listening habit as more of us get more comfortable with the prospect of streaming music from pay services like Tidal and Qobuz or from a networked server containing a music library at home. It’s an area that’s seen considerable expansion in the last decade, but is still pretty much dominated by a few familiar names. For any company to make inroads into this sector, it needs to have a front end that goes the extra mile at a competitive price. Auralic has been impressive in this regard and first began to carve itself a reputation for well thought-out and capable products at competitive price points with the likes of its Aries Mini music streamer (HFC 425) and the Altair DAC/preamp with music streaming (HFC 428).

Recent years have seen British hi-fi company Exposure downsize the dimensions of its electronics with the introduction of its half-width XM series in 2016. Following its considerable success in squeezing its extensive hi-fi know-how into smaller dimensions, the audio component specialist has turned its attention to the top of its lineup and replaced its highly regarded but bulky MCX series pre and power amplifiers with slimline units. The new 5010 series features two products: a preamplifier priced at £2,000 and a mono power amplifier priced at £4,550 per pair and rated at 200W into 8ohm and 370W into 4. At first glance they don't look all that different to the brand’s existing 3010 and 2010 series of audio components, but the new 5010 models are significantly trimmer measuring just 90mm and 115mm tall respectively, and each is a mere 440mm wide and 300mm deep.

Another headphone first comes from Audiolab – best known for its DACs and amplifiers – which pulls back the curtain on two sets of in-ear designs with the M-EAR 2D (£430) and M-EAR 4D (£700). Both available now, the former is a two-driver design, with one driver handling mid/high frequencies and the other dedicated to bass. The M-EAR 4D is a three-way design sporting four drivers – one for high frequencies, another for midrange and two for bass. Both come with a tangle-resistant detachable 1.